Monday, October 1, 2012

Time Out

Due to unexpected events, I will not be updating Glimpses of South Pasadena for the foreseeable future.  Thank you for over 4 years of daily exploration, discovery, friendship and fun.

I appreciate the support of the over 900,000 people who have taken the time to visit this blog.  The experience changed my life.  I hope to be back again at some point, if not here then in another online incarnation.  Until then, thank you all.

Laurie

Sunday, September 30, 2012

Freeway Noir: 7

It wasn't the darkness that was so terrifying.  It was everything that she could see in the light.

This wraps up Freeway Noir Week, folks.  Thanks for letting me share a series of shots taken from the passenger seat of a car while driving bumper to bumper home on the 110 freeway.  This coming week?  Color!

Saturday, September 29, 2012

Freeway Noir: 6

"I don't want to go in there," She said when she saw the tunnel.

She had a habit of biting her lip when she was scared about something.  She was biting it it now.   It made him want to speed the car just to startle her.  He wanted to drive right up to the edge of the truck ahead and stop just short of collision.  A screech of brakes, a scattering of the change in the cup holder and possibly blood jazzing up that pale pink lipstick.

He didn't like it that he wanted to scare her this much.  As they pulled into the tunnel, she laughed a little.

"Oh," she said.  "This isn't so bad."

He kept his eyes on the lane lines, his foot carefully adjusting to the proper speed limit.  He didn't look to see if she was biting her lip.  It was probably to dark to see, anyway.

We're almost home from Freeway Noir Week -- a series of shots taken from the passenger seat while stuck in traffic on the 110 Freeway.  

Friday, September 28, 2012

Freeway Noir: 5

The hotel gleamed like platinum in spite all those dirty windows. She'd been fooled by flash before.  It was shiny, sure.  But it wasn't clean.

I'm dipping my toes into the dark side with Freeway Noir Week -- a series of monochrome shots taken out of the car window while stuck in traffic on the 110 freeway.  

And no, I wasn't driving the car --- but I was just driving my family crazy as I tried to channel the spirit of Raymond Chandler.

Thursday, September 27, 2012

Freeway Noir: 4

Nothing in this place was truly civilized.  Even the palm trees stood like wild sentries threatening to attack all who approached the concrete jungle.

Freeway Noir Week continues.  Share my shots taken while stuck in traffic on the 110.  

Wednesday, September 26, 2012

Freeway Noir: 3

With all of the infernal sunshine in this town, there are bound to be shadows.  A lot of shadows.

Join me this week for Freeway Noir: a series shot from the 110 Freeway.  

Tuesday, September 25, 2012

Freeway Noir: 2

In a cityscape turned ghostly by dusk, painted faces stared from an almost-empty parking structure.  She was a long way from home...

Join me for Freeway Noir this week:  a series of shots taken while stuck in traffic on the 110.

(Do I have to mention this again?  I shot all pictures from the passenger seat, not the driver's seat.  And boy was it hard to drive from there!  I kid, I kid...)

Monday, September 24, 2012

Freeway Noir: 1

Anyone who lives in Southern California knows that being stuck in traffic for too long can make you feel dark and paranoid.  With that in mind, this week I bring you a series of shots taken while stuck in traffic on the 110, trying to get back to South Pas.  From the 4-level to the tunnels, Los Angeles offers the perfect noir landscape.  Anyway, you guys know that I love a chance to pretend like I'm the lovechild of John Alton and Dorothy B. Hughes...

It's Freeway Noir Week, everyone.  A series of shots from the 110 freeway, en route to South Pas.  

Disclaimer: DUH!  I wasn't shooting while I was driving.  Haven't any of you heard of carpooling?

Sunday, September 23, 2012

Dance 'Til You're Blurry

I don't know if you guys have been paying attention, but the world has been conspiring to be a ginormous buzzkill lately.  We've got the usual election year mudslinging, more terrifying violence in the Middle East,  dour economic forecasts and enough accompanying bombast to make me wish for a universal mute button.  Not only that, but just when we all have tried so hard to embrace healthy eating, some nosy guys in lab coats just figured out that rice -- pure, simple, Whole Foods staple rice -- contains dangerous levels of arsenic.

Arsenic.

Really!?!

I say we all need a little cheering up.  Even though it's Sunday, it's time for another installment of Laurie's Friday Playlist!  Heck, if you play these tunes long enough, it will feel like Friday.  You might even decide to ditch this week's duties all the way to next Friday, in which case I offer the usual disclaimer:

In no event will we be liable for, including without limitation, indirect or consequential loss of reputation, dance injuries, shirked responsibilities or public displays of silliness arising out of or in connection with the use of Laurie's Friday Playlist.  Play these songs at your own risk, and make sure to turn the volume up to 11.

As usual, you can find all of these songs on iTunes, Amazon and most other MP3 sites.  Remember, I tend to jump around the musical spectrum and might follow the Cotton Eyed Joe with Mozart's Requiem.  Why?  Because when life offers you a buffet, it's best to pile your plate high and sample everything.

So, put on your dancing shoes because today I bring you  Laurie's Shameless Dance Party ... a Playlist for Cutting Rugs and Shaking Booties!  Don't worry, there's not a Macarena or Chicken Dance in the whole mix...

Let's start with an a fantastic classic from the swing era. Anyone who thinks radical music was born with the electric guitar hasn't really checked out the wild carryings-on from the age of jitterbugs.  If the Andrews Sisters were the 1940s versions of Disney pop stars, Benny Goodman and Tommy Dorsey were the ones your mother warned you about. (Even Keith Moon had nothing on swing drummer Gene Kruppa.)  Here's one of my favorite recordings of Sing Sing Sing with Benny Goodman's orchestra, a fantastic Harry James trumpet solo and Kruppa himself in all of his wild glory.

Don't sit down yet, I'm just getting started.  Next, I bring you something that has probably already blown up your Facebook feed.  But in case, like me, you never check Facebook, I bring you the Korean sensation Psy with his infectious dance track Gangnam Style.  It proves to everyone that groove is the universal language and dancing like nobody is looking is probably the key to peace between nations.

Speaking of dancing like nobody's looking, let's slow it down for a few minutes and trance out with Radiohead's front man Thom Yorke as he offers wonderful weirdo choreography to accompany Lotus Flower.

Like this mellow vibe?  Then hang out on the dance floor for some classic psychedelic naval-gazing with the Beatles Tomorrow Never Knows.  Who needs electric guitars when we have a sitar and a tamboura?

Feeling warmed up?  Then rave on into the classic nineties dance track by Underworld that always makes me feel like anything is possible.  Karl Hyde and Rick Smith are now considcered the elder statesmen of electronica -- even acting downright responsible by serving as musical directors for the opening ceremonies of the London Olympics.  But here, in Rez, they're the hypnotic pied pipers of party fun.

Don't put down those glowsticks!  This past week, Shannon Leto of Thirty Seconds to Mars dropped a brilliant remix of the band's song Night of the Hunter.  It turns an epic track worthy of a Kubrick-directed rock opera into an infectious electronic dance piece.

Okay, everybody can come back to earth now, grab a partner and show off your best Texas two-step with this catchy country rock song City Lights by Jeremy Williams.  (Hint: the brilliant Austin singer/songwriter just happens to be my nephew -- and you can get his entire album on iTunes.)

We've all heard the old saying, "I'm dancing as fast as I can!"  Well, those behind South Africa's Shangaan Electro Dance have gone literal.  180 beats per minute?  Why not?!  Or, in the words of Richard Hlungwani during a CNN interview, “The world will go faster. It won’t go at the pace it’s going now, It will go a little bit faster, because Shangaan electro is going to do that.”  Check out the Electro Dance here with Nwa Pfundla. 

I know what you're thinking ... what we need right about now is some good, sixties-inspired Brit-Rock with a beat that makes you want to put on your GoGo boots and do the Pony!  Gotcha covered with Miles Kane's impossibly hip Rearrange.  All I know is that I want this guy to score the next James Bond series.

Which brings us to our final number, by a woman who is no stranger to GoGo boots.  Most of the Best Of lists choose Vogue as Madonna's most fabulous dance song, but I have always been partial to Ray of Light.  It's utterly goofy with melodic optimism, and that's just what I want.  It's unbridled hope and inspiration set to a beat that everyone can dance to.

Keep dancing, everybody.

Saturday, September 22, 2012

a world of lizards


“It comes from a very ancient democracy, you see..." 

"You mean, it comes from a world of lizards?" 

"No," said Ford, who by this time was a little more rational and coherent than he had been, having finally had the coffee forced down him, "nothing so simple. Nothing anything like so straightforward. On its world, the people are people. The leaders are lizards. The people hate the lizards and the lizards rule the people." 

"Odd," said Arthur, "I thought you said it was a democracy." 

"I did," said Ford. "It is." 

"So," said Arthur, hoping he wasn't sounding ridiculously obtuse, "why don't people get rid of the lizards?" 

"It honestly doesn't occur to them," said Ford. "They've all got the vote, so they all pretty much assume that the government they've voted in more or less approximates to the government they want." 

"You mean they actually vote for the lizards?" 

"Oh yes," said Ford with a shrug, "of course." 

"But," said Arthur, going for the big one again, "why?" 

"Because if they didn't vote for a lizard," said Ford, "the wrong lizard might get in. Got any gin?"

 "What?"

 "I said," said Ford, with an increasing air of urgency creeping into his voice, "have you got any gin?" 

"I'll look. Tell me about the lizards." 

Ford shrugged again.

 "Some people say that the lizards are the best thing that ever happenned to them," he said. "They're completely wrong of course, completely and utterly wrong, but someone's got to say it." 

"But that's terrible," said Arthur.

 "Listen, bud," said Ford, "if I had one Altairian dollar for every time I heard one bit of the Universe look at another bit of the Universe and say 'That's terrible' I wouldn't be sitting here like a lemon looking for a gin.” 

― Douglas Adams, So Long, and Thanks for All the Fish

Thursday, September 20, 2012

And Another One...

I'm on a roll, gang. Yet another beautiful car I had not seen before. Wish I'd had my camera with me, but my trusty iPhone captured the moment in a pinch.